I Am Legend's original ending!

FirstShowing.net has posted the original ending of the Will Smith flick, I Am Legend, that will be included when the DVD is released in a few weeks. Here's the link: http://www.firstshowing.net/2008/03/05/must-watch-i-am-legends-original-ending-this-is-amazing/

Those of you who know me know that I Am Legend has always been my dream project. The themes in the book are ones I usually hit on when attempting dramatic works, so it's always really grabbed me. When I saw the flick, I was disappointed. The movie is good, but the way Hollywood cocked it up (the project was in development hell for many years) just betrayed the book and paradigm-shifting concept.

The original ending is amazing. While still not close to the book's plot, the original ending at least stays thematically correct. It's worth watching.

I feel cheated that this was not the ending I saw in the theater.

The Signal & Be Kind Rewind

It's kind of funny how the universe works sometimes. I've often said that if you pay attention, the world is trying to tell you something. Maybe it's some sort of cosmic thing, maybe it's just our very human capability to find patterns in chaos. I don't know and I don't really care. (Leave that to the philosophers.) What matters is that I get the point therein and do something with it.

Over the last two weeks, I saw The Signal and Be Kind Rewind. Both deal with the influence of media and human connectedness. In one, the media is an overwhelming presence that drives people to kill, and the other shows people making media for themselves and growing as a community.

The Signal is a triptych of short films about a mysterious signal emanating from every TV, radio, and phone that causes people to kill each other. Ironically, everyone thinks everyone else is crazy and the reasons they use to justify murder make a bizarre sort of sense to themselves. The eponymous signal is inescapable. TVs and radios just come on with the broadcast playing.

Be Kind Rewind is about two guys remaking older movies with a VHS camcorder after a magnetized Jack Black inadvertently erases the store's stock of VHS movies. The self-made remakes become a hit and the people in the neighborhood get in on the action. Of course, the studios come in to piss all over the parade.

The reason I bring this up is because I feel like I've been taken too much with the mass media. I've been watching too much TV. I've been reading Digg way too much. I would be totally vulnerable to some sort of killer transmission.

I haven't been working on my back-burner projects. I haven't been making my own media. I keep worrying about finding the next gig so I can pay my bills. I keep living in this weird, fear-based state instead of embracing the whole "do what you love and the money will follow" edict. This kind of progression will only continue to lead me away from the work I wanted to do when I got into this whole industry in the first place.

I'm shifting gears. I'm not sure of how I'm going to get to my destination just yet, but the journey should be pretty cool.

Film Editing & Memory

Here's a little article I found on Digg: Cuts in Movies and Their Impact on Memory. In the article, the authors discuss a study that shows a viewer's memory of the actions in a scene isn't as good if the scene utilizes cuts as opposed to a still or moving camera.

Apparently, the reason for this is that our eyes take a moment to adjust to the composition of the new shot. Not surprising as Walter Murch wrote of this in his book, In the Blink of an Eye.

While I found the article interesting, what I found more interesting were the comments in following the article. The majority of people posting on their seem to think that longer takes equals better film or better directing. Maybe it's because faster paced editing is so associated as the requisite technique in brainless action films (see any Michael Bay atrocity for evidence of this).

Editing, regardless of pace, exists as a technique to tell the story. The way shots are put together creates new meanings that may not be evident in the long take. The speed of the cuts may elicit an emotional response (such as a disorienting confusion) or the refusal to cut away from a shot may be to force us to witness something (such as a character's reaction.) We should also remember that editing isn't just cutting, but also not cutting.

Anyway, it seems to me that editing may be the most misunderstood part of the motion picture arts to the general public. I may pen some articles on basic editing theory in the future.

I would definitely suggest watching The Cutting Edge: The Magic of Movie Editing.

The Model Needs Changing

I just read this article over at Slate.com titled Please Pirate My Sundance Film. In the article, Tim Wu writes about all of the anti-piracy measures that the Sundance Film Festival is using to prevent bootlegging of the films shown. However, Wu points out that the measures are mostly unnecessary since the more obscure the film, the less likely it is to be pirated. In fact, he could find no 2008 Sundance film on any BitTorrent search, nor could he find more than a scant few of the 2007 films.

Checking out his claim, I did a search for what had to have been the most notorious of last year’s films, Teeth. (See the trailer here.) This is the film about a teen girl with the mythical condition of vagina dentata. It seemed as if the film was doomed to never find distribution until it recently got picked up for theatrical release later this year. I couldn’t find one copy of Teeth anywhere.

Unfortunately, for every film like Teeth or even the sweet-but-kitschy Fido that gets a distribution deal, there are a number of well made and good films that will never be seen outside of the festival circuit, if at all. This leaves the filmmaker in a predicament: they want the film to be seen, but they also want to make back some of the exorbitant costs from the production.

As Wu points out in his article, “[Allowing piracy of your film] isn’t likely to happen. For that would mean accepting that your film isn’t going anywhere, and at Sundance that kind of pessimism is strictly verboten.”

Besides, if you let your flick get pirated over BitTorrent, you’d kill any chance of ever getting it distributed. I mean, if the film is already easily available for free, who’d pay to see it? Right?

Well, releasing a free version of the film over Torrent shares may not be as crazy as one would think. According to a report at Torrentfreak.com, author Paulo Coelho has pirated his books over Torrent sites and the result has been a huge increase in the sales of his books. While there is a huge difference between books and films, the article definitely shows that there could be gains for the feature filmmaker gutsy enough to leak their film onto the web.

In these times where the majors aren’t willing to take as many risks as they used to with independent film, maybe it’s time to change the model used to get a movie out into the pop culture. I personally would love to see someone try this and be successful with it.

What do you guys think? Feel free to comment and discuss.

One Last Note: According to Billboard.com, Radiohead's In Rainbows album is the top selling independent CD right now. You may remember when this was released months ago on the web for a "pay-what-you-feel-is-right" price. Their CD sales seem to not have taken a hit, eh?

Fingerpainting masterpieces

Once again, there is another case of some mother selling paintings done by her very young child and people paying sums of cash for them. This article, Toddler fools the art world into buying his tomato ketchup paintings, shows the child and his works.

Personally, I despise articles like these because right from the headline, the reader (who is most likely a casual art consumer at best) immediately takes it to be a full vilification of the art world. Apparently, art critics are just "too stupid" and "gullible" and can easily be fooled by mere "paint daubs."

Unfortunately, the majority of people feel intimidated by the modern art world. It sometimes makes no sense. Sometimes, it is too conceptual and leaves you feeling like you need some sort of decoder ring to understand it. When some article comes out about how a "toddler fool[ed] the art world" then we can all feel superior to this intimidating culture. We can laugh and pat ourselves on the back about how we would never buy canvas fingerpainted by someone who still shits his pants.

But here's the thing: I've looked at those pictures of this toddler's work. They're absolutely beautiful. The use of color and the raw energy in the marks captivate me. I don't care if the person who made it was 2 or 102, they still look amazing.

Picasso once said, "Every child is an artist. The problem is how to remain an artist once we grow up." And it's true. This kid is painting his paintings with the whole of his being. He doesn't care what anyone thinks of them or even if they're good enough. He's delighting himself in the act of painting and that's it. It's the purest form of artmaking there is. He's expressing himself purely through the colors onto the canvas. Sure, it may not look like some Thomas Kinkade piece of crap (Kinkade being a talented hack for people who think that art should be snow covered cottages), but it is a pure piece of expression.

The people mocking the art critics now may feel superior, but in my estimation, they didn't get it then and they sure as hell don't get it now. They just lack the ability to see the brilliance in front of them.

Music Video Product Placement

I'm currently in the development phase of a music video with a friend of mine and while brainstorming our approach, we looked to mainstream hip-hop videos for inspiration. While surfing YouTube, we came across the video for Fergie's Fergalicious single.

At 2:51 into the video, there is gratuitous technology usage, as is typical. The multitude of dancers all take a listen to the song they're dancing to on an MP3 player that opens to reveal a small set of speakers. I'm not exaggerating when I say that the device is held in pure commercial fashion.



Since when did music videos start having product placement? It's literally a commercial within a commercial.

It's not like the label needed the cash to make the video (although you can tell that the budget for it must have been huge). What's happening is that advertising is getting so pervasive that ads are selling adspace in their own ads!

Sigh. I guess it's just all part of the machine to keep people buying crap they don't need. And more importantly, to keep people buying crap that they'll annoy me with on the el trains.

The End of Blockbuster?!

I just came across this post about the coming end of Blockbuster.

For the past 8 years, I've been boycotting Blockbuster due to their censoring of movies before and after production. Finding an unaltered version of Last Tango in Paris or even Terror Firmer was impossible. Even worse was Hollywood execs changing films in production to fit the moralistic nature of the company's leaders.

Finally, thanks to the power of Netflix, Blockbuster is on the way out and I, for one, am glad to see it go.